From a particularly productive morning… it had snowed on my way from Bangor to Portland. I had a work-related meeting that day in the city, so figured what the hey… I might as well get an early start and see if I could take advantage of the first light.
Take a walk on the path to the left of the lighthouse and you begin to get a completely different view of the scene, especially at low tide since you can scamper down onto the rocks in search of interesting foreground elements. This can officially be called the “blue-hour” – some time before the sun makes an appearance, yet when there is still enough early morning light to illuminate the landscape. There were some fast-moving clouds overhead, and of course the waves washing on and off shore – throughout that, the striking Portland Head Lighthouse beacon illuminated the morning.
I did what I often like to do… experiment with a variety of lengths of holding the shutter open using the remote release… all in the name of trying to capture something unique and different. This exposure was for 61 seconds, and I like how the movement in the sky and tide were rendered. I also like how the white balance rendered the scene so blue… it represents the chill in the air that I felt, and the early hour at which this photograph was made.
Aha. Another favorite place. This is a view from the quieter part of Acadia National Park called Schoodic. A rocky peninsula stretching out into the Gulf of Maine, there are views like this scattered all along the perimeter… grab your camera, enjoy the far-less crowded surroundings, and make yourself a photograph or two.
Off in the distance is a little gem called “Rolling Island” – and then there’s the classic Acadia (Schoodic) foreground. I’ve been to this specific place several times… sometimes I come away with a photograph I like, and sometimes I just enjoy the scenery. On this particular morning I can remember the colorful sunrise seemed to last for ages… it quite literally lasted for at least a half an hour. What better way to start the day!
Coming soon! I always love when spring finally really springs and the landscape begins to green up. Though it take it’s sweet time to get here, the fresh breath of post-winter life that eventually washes over the landscape is well worth the wait. The greens can be electric, and the smells and sound of new growth are intoxicating. By early June we have an additional bonus where swathes of purple and pink begin to dot the landscape, and I have to admit, it’s a favorite time of mine. If you’re in Acadia looking for Lupine, you’ll of course find it scattered randomly in places all over Mount Desert Island, but there are also several cool places – that I know of – where you can find it in abundance.
There’s a lush and full field of Lupine that grows wild in the heart of Bar Island, just offshore from Bar Harbor. The good news… at low tide you can access this treasure by walking across an uncovered spit of land. Be careful though, the ocean waits for no-one and you need to pay attention to the time and tide. Tread with care and make nice photographs.
Another beautiful example of Acadia Lupine can be found along the Beech Hill Cliffs Road. When coming onto the island, travel south through the quaint village of Somesville and look for a right turn toward Beech Hill. After about quarter of a mile make a left and follow the road toward Beech Hill… at the end of this dead-end route there are some wonderful views from above Echo Lake on some very pretty quiet side trails that also offer ocean views to the south of Acadia – and along the way you’ll see two large fields that will be overflowing with colorful Lupine in June. Enjoy!
What to do when the weather doesn’t cooperate? I’ve been to this very special location many, many times in search of epic light, but I can honestly say that on the majority of my visits, I usually get skunked with less than stellar conditions. I’ll check the weather forecast, and I’ll plan for favorable tides… but ultimately you’re at the mercy of the light. Sometimes you get lucky, but usually not.
Having said that… less than favorable light can bring “different” conditions, and with those come opportunities to capture images that are more original. Sometimes they’re more unusual simply because others don’t bother making photographs at those times, and sometimes they’re unique simply because instead of making a cover version of someone else’s work you’re making something creative of your own.
Embrace iffy weather. While I have experienced and photographed epic colors and memorable sunrises, some of my favorite images were made in stormy conditions. The color palette in both images in this post don’t necessarily reflect the traditional picture postcard ideal… but I am more proud of them than you might imagine.
A favorite of mine. Special conditions when Hurricane Sandy brushed the coast. This is from Sand Beach looking south along the shore toward the Loop Road and Otter Cliffs. Longer lens for two reasons a) for safety’s sake – even on the steps that lead from the parking lot down to the beach it was pretty dangerous with waves as high as my waist, and b) a longer lens compresses the scene compositionally, helping isolate only those elements that add to the strength of the photograph. In this case I used my 70-200mm f4 L at 200mm. For those interested, here’s the EXIF:
Camera: Canon EOS 5D Mark II
Lens: EF70-200mm f/4L USM Shot at 200 mm
Exposure: Auto bracket exposure, Shutter priority AE, 1/500 sec, f/4.5, ISO 200
Color. It can make or break a photograph, and for those of you who have been following my photographic journey over the past couple of years, you’ll know that I have become more and more intrigued with removing colors and distilling a scene down into the most important of elements… lines, shapes, contrasts, textures and how they all interact compositionally within that little rectangle that is the view finder… in black and white.
All concepts around trying to create a good compositional scene apply, as does my mantra of trying to make any scene your own and not just a mimic of someone else’s photography. As suggestions to help achieve this, I’d recommend experimenting with placing important elements nearer the edges of the frame, using the rule of thirds where appropriate, and if you latch onto something interesting… leverage it… go for it. Really try to accentuate what you find… just look at those incredible textures in the striated rocks of Pemaquid Point, and depending on when you visit, you might just get a chance to shoot some cool reflections.
This is a remarkable location… one that I’d highly recommend spending some serious time exploring. It’s one of those places where someone interested in practicing their craft has ample opportunity to spend time on a variety of compositional choices. I’ve spent a whole day here feeling like a kid in a candy store – there are all sorts of textures and elements that can be used to create a variety of compositions. This place can be shot wide, tight with a telephoto lens, and of course… in unique conditions and with a little imagination it can really shine. In the color version I used a long shutter to help streak the clouds a little and add another element… maybe it helps and maybe it clutters? It’s OK to question.
Color in the first and a more simple black and white composition in the second… I’d be curious if you’ve shot this location, and what you think about the different impact each has. If you have shot Pemaquid, drop a link in the comments and show us what you got!
There’s more to Maine than Acadia. Geography lesson: if you were to take a pair of scissors to a paper map of New England and cut out the state of Maine, you could actually overlay all of New Hampshire, Vermont, Rhode Island, Massachusetts, and Connecticut. So, relatively speaking – though nothing like the immense size of some of the vast western US states – Maine is a relatively big state.
So, while you could certainly spend a lifetime exploring the coastline of Maine, there’s so much more to see, including the impressive and rugged Mount Katahdin and Baxter State Park. in fact:
The coastline of the state of Maine is only about 370 kilometers (230 miles) from one end to another. However, when measured taking into consideration its irregularities such as inlets and offshore islands, its length increases to more than 5,542 kilometers (3,450 miles)! – Google.
This image was made on a chilly October morning from the Abol Bridge area on the Golden Road just outside the Baxter State Park boundary. To reach this location at first light it takes me about two hours of early driving, and on this occasion I can remember arriving in a hurry and frantically scrambling to find a foreground that might hopefully do justice to the magnificent sight of the sun hitting the roof of Katahdin. Luckily, a carpet of remarkably colorful fall foliage was hiding just around a bend in the river – I plopped my tripod down and worked fast to include the reflection of the mountain in the mid-ground, along with the fast-moving clouds breezing over the summit.
Needless to say this was a pretty tranquil and solitary scene… there aren’t many people this far north in Maine, and there certainly weren’t too many of them up and about at this time of day. I find that solitude often makes for a more powerful and engaging experience. Again… though I came away with a photograph that I like, I’m just as happy with the memory of being there in person to explore what was an almost spiritual scene.