Postcard from Maine (4)

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4-20-14Pemaquid

Color. It can make or break a photograph, and for those of you who have been following my photographic journey over the past couple of years, you’ll know that I have become more and more intrigued with removing colors and distilling a scene down into the most important of elements… lines, shapes, contrasts, textures and how they all interact compositionally within that little rectangle that is the view finder… in black and white.

All concepts around trying to create a good compositional scene apply, as does my mantra of trying to make any scene your own and not just a mimic of someone else’s photography. As suggestions to help achieve this, I’d recommend experimenting with placing important elements nearer the edges of the frame, using the rule of thirds where appropriate, and if you latch onto something interesting… leverage it… go for it. Really try to accentuate what you find… just look at those incredible textures in the striated rocks of Pemaquid Point, and depending on when you visit, you might just get a chance to shoot some cool reflections.

This is a remarkable location… one that I’d highly recommend spending some serious time exploring. It’s one of those places where someone interested in practicing their craft has ample opportunity to spend time on a variety of compositional choices. I’ve spent a whole day here feeling like a kid in a candy store – there are all sorts of textures and elements that can be used to create a variety of compositions. This place can be shot wide, tight with a telephoto lens, and of course… in unique conditions and with a little imagination it can really shine. In the color version I used a long shutter to help streak the clouds a little and add another element… maybe it helps and maybe it clutters? It’s OK to question.

Color in the first and a more simple black and white composition in the second… I’d be curious if you’ve shot this location, and what you think about the different impact each has. If you have shot Pemaquid, drop a link in the comments and show us what you got!

4-20-14Pemaquid Point

Just for kicks…

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4-19-14 Cape Neddick

Here’s an image just for show. There’s no real story to this post other than I like it. It’s of Nubble Light – sometimes called Cape Neddick – a classic New England lighthouse located on the coast of southern Maine in York. I grabbed the opportunity to soak in the start of a new day, and as the sun slowly rose, I just loved the textures in the foreground rocks and the subtle gradient in the sky. The color version is nice, but I especially liked the mood generated by the silvery black and white rendition. Enjoy!

Spending a little time…

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4-10-14 websitecover Lately I’ve been spending some time exploring my portfolio of landscape photographs. Though feeling physically and mentally much better between rounds of Chemo, I still haven’t quite mustered up the energy to spend much time outside, never mind having the oomph to be out early or late capturing any new good light on the landscape with the camera. That leaves me fondly reminiscing about some of the work I’ve already done, and as I do so, I get to spend a little time perusing my web site – and you know what that means… yes, tweaking.

As you can see from the screenshot above – http://www.acadiaandbeyond.com – I’ve abandoned (for now) my attachment to a single strong black and white coastal image in favor of a more eclectic, colorful, and assorted view of what is distinctly Acadia National Park – after all, there is so much to see in Acadia, why not show her off in all her glory?

We’ve had a lot of incredibly generous local support in response to our little medical emergency, and as a way to say thank you, Lori and I have been selecting prints that we think people might appreciate, and we’ve been ordering and delivering them as thank you gifts.

I’ve learned that it’s one thing to conceptualize, experience, and actually create any one of my photographs, but I have to admit, following the process through to where it physically gets printed and held in hand – whether it is printed on canvas, paper, or better yet, on metal – it is quite exhilarating to hold a piece, especially since many of these pieces to date have merely been images on the screen.

I’ve a couple of big pieces being printed on metal on the way as “thank you’s” to our friends, and I’ll be sure to grab a pic of what they look like “in-person” as it were when they arrive. In the meantime, if anyone is interested in purchasing from what I believe is a new and improved web site, please use the discount code “chemo” when in the shopping cart area – despite it’s not-so-nice meaning, it will get you 25% off any purchase 😉

The other kind of medicine…

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3-25-14 oliver1

Few words today, but in addition to the many not-so-natural medicines I’ve been pumping into my body lately, here’s a glimpse of another kind of medicine that has certainly been impacting my well-being. I’m getting lots of love from Lori, Sam, Jack and family – don’t know what I would do without all of them – and then there’s my baby boy Oliver. He knows somethings up, but as always – regardless – he’s got lots of love to give. Both photographs in this post are iPhone pix processed in the Snapseed app – the one below is a “selfie” I’m especially proud of.

3-25-14 oliver2

 

A different angle

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1-18-14 boulder beach

In this location, I can usually be found hunkered down somewhere back near where the ocean meets the round rocks, since that spot gives you a view of the Atlantic Ocean and majestic Otter Cliffs. On this occasion however, I’m a little further along the Boulder Beach shoreline, looking back over my shoulder at a different angle. Looking in this direction doesn’t give a striking view of the cliffs, but the round rocks this location is renowned for are still there, and I love those steadfast trees standing guard over the scene.

Distilling the scene

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1-5-14 bass harbor3 BWTake away the color and you’re left with basic elements like lines, shapes, textures and tones. Certain photographs lend themselves well to being converted to black and white and others don’t, and in this case, I kinda liked how this scene looked in monochrome. Distinct and obvious in shape, the jagged granite rocks add drama to an already iconic view, and in each of these compositions, I tried to wed the foreground, mid ground and background together in a cohesive way. Hopefully I succeeded.

1-5-14 bass harbor2 BW

1-5-14 bass harbor1 BW

Voldemort!

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1-14-14 VoldemortDefinitely not a landscape photograph.

I was trawling through some of my oldest portable hard drives in search of original RAW files from a long-ago trip to Utah when I came across this. Made on April Fool’s Day, this was the moment Jack Robert Patterson arrived in our lives. Due to its graphic nature – that’s literally Jack’s first breath after a C-section – some people might find this photograph a little off-putting. Me, I absolutely love it!

When I stumbled on it again the other day, I couldn’t wait to show it to the now tween Jack. I figured he’d get a kick out of seeing himself right at the beginning, and after all, I doubt if there are many kids with portraits like this! When I unveiled the image to him, he got very serious in tone and expression, and then he uttered one word that made me chuckle… Voldemort!