A favorite of mine. Special conditions when Hurricane Sandy brushed the coast. This is from Sand Beach looking south along the shore toward the Loop Road and Otter Cliffs. Longer lens for two reasons a) for safety’s sake – even on the steps that lead from the parking lot down to the beach it was pretty dangerous with waves as high as my waist, and b) a longer lens compresses the scene compositionally, helping isolate only those elements that add to the strength of the photograph. In this case I used my 70-200mm f4 L at 200mm. For those interested, here’s the EXIF:
Just in case you were wondering where he went… here’s Oliver! As you can imagine, in my time of need he’s got lots of love to give. There are moments between treatments when I’m beat and just need to hunker down for a nap, and whaddya know, Oliver is quite content to hop up at the end of the sofa to join me. And then there are the times he just wants to give kisses and hugs. We had heard stories about when he got close to turning two years of age of how he would all of a sudden mellow out… well, that seems to be true.
Almost overnight it seems, in many ways he became this chilled more mature dog, and gone are some of the crazy puppy behaviors. He still gets very excited when greeting people (something we are working on), but other than that, we can definitely notice a calmness to his demeanor that just wasn’t there before. Perhaps he senses what’s going on within the house, or maybe it’s just true what they say about him transitioning from puppy to dog… either way, he is an absolute dream of a family companion and brings us so much joy. Here’s a rare one of me in front of the camera – this time getting lots of sugar from my baby.
Color. It can make or break a photograph, and for those of you who have been following my photographic journey over the past couple of years, you’ll know that I have become more and more intrigued with removing colors and distilling a scene down into the most important of elements… lines, shapes, contrasts, textures and how they all interact compositionally within that little rectangle that is the view finder… in black and white.
All concepts around trying to create a good compositional scene apply, as does my mantra of trying to make any scene your own and not just a mimic of someone else’s photography. As suggestions to help achieve this, I’d recommend experimenting with placing important elements nearer the edges of the frame, using the rule of thirds where appropriate, and if you latch onto something interesting… leverage it… go for it. Really try to accentuate what you find… just look at those incredible textures in the striated rocks of Pemaquid Point, and depending on when you visit, you might just get a chance to shoot some cool reflections.
This is a remarkable location… one that I’d highly recommend spending some serious time exploring. It’s one of those places where someone interested in practicing their craft has ample opportunity to spend time on a variety of compositional choices. I’ve spent a whole day here feeling like a kid in a candy store – there are all sorts of textures and elements that can be used to create a variety of compositions. This place can be shot wide, tight with a telephoto lens, and of course… in unique conditions and with a little imagination it can really shine. In the color version I used a long shutter to help streak the clouds a little and add another element… maybe it helps and maybe it clutters? It’s OK to question.
Color in the first and a more simple black and white composition in the second… I’d be curious if you’ve shot this location, and what you think about the different impact each has. If you have shot Pemaquid, drop a link in the comments and show us what you got!
There’s more to Maine than Acadia. Geography lesson: if you were to take a pair of scissors to a paper map of New England and cut out the state of Maine, you could actually overlay all of New Hampshire, Vermont, Rhode Island, Massachusetts, and Connecticut. So, relatively speaking – though nothing like the immense size of some of the vast western US states – Maine is a relatively big state.
So, while you could certainly spend a lifetime exploring the coastline of Maine, there’s so much more to see, including the impressive and rugged Mount Katahdin and Baxter State Park. in fact:
The coastline of the state of Maine is only about 370 kilometers (230 miles) from one end to another. However, when measured taking into consideration its irregularities such as inlets and offshore islands, its length increases to more than 5,542 kilometers (3,450 miles)! – Google.
This image was made on a chilly October morning from the Abol Bridge area on the Golden Road just outside the Baxter State Park boundary. To reach this location at first light it takes me about two hours of early driving, and on this occasion I can remember arriving in a hurry and frantically scrambling to find a foreground that might hopefully do justice to the magnificent sight of the sun hitting the roof of Katahdin. Luckily, a carpet of remarkably colorful fall foliage was hiding just around a bend in the river – I plopped my tripod down and worked fast to include the reflection of the mountain in the mid-ground, along with the fast-moving clouds breezing over the summit.
Needless to say this was a pretty tranquil and solitary scene… there aren’t many people this far north in Maine, and there certainly weren’t too many of them up and about at this time of day. I find that solitude often makes for a more powerful and engaging experience. Again… though I came away with a photograph that I like, I’m just as happy with the memory of being there in person to explore what was an almost spiritual scene.
Probably the most photographed lighthouse in America, Portland Head Light is a stunner of a location that anyone visiting Maine should experience. It’s not difficult to find, is easy to access from a series of well-maintained trails at Fort Williams Park in Cape Elizabeth, and as you can see… perched on some seriously jagged rocks it occupies a fantastic location to make a landscape photograph. All you have to do is get yourself there at the right time and in the right conditions!
With an iconic location like this, the biggest challenge is making a photograph that doesn’t look exactly like all of the other ones you see in the local calendars and postcards – unless of course that’s what you’re going for. Nothing wrong with imitating other photographs – good practice I say – but my guess is that there will come a time when you’ll want to create something more personal, more unique. And so you should.
Get there early. Stay there late – good light favors those who patrol the edges of the day. Watch the tide charts and try to coordinate your visit with a big surf, and of course… treat the weatherman like your friend and pay attention to the conditions. Despite the fact that I wasn’t able to include any dramatic skies on this particular morning, I was able to explore the foreground area a bit and include some interesting elements along with the beautiful sunrise gradient of color… all in the name of trying to capture something that I could call mine.
Hope you like it.
(A couple of exposures were combined here to deal with the extreme range of light found at this time of day).
Here’s a little something from my home state of Maine. Hope you don’t mind if I indulge myself with a couple of postcard posts of my favorite photographs of Maine, especially Acadia National Park. It’s been a while since I’ve been able to visit in person, but hopefully as the weather warms up and I start to feel a bit better I can get back down there again soon.
Also, rather than me having all the fun, I’d be happy to post any reader requests for images. Is there any particular place in Maine – or Acadia and Beyond – that you would like to see. I’ll scour the archives and see what I can find, and I’d be happy to share any story – technical or anecdotal – that I have behind the creation of the image.
For example, with the image in this post, I wanted to highlight those incredible round rocks that can be found at this location. The flecked pinkish granite in the foreground is absolutely spectacular, and when the waves rock those boulders back and forth the sound is mesmerizing. The sun had already risen when I made this photograph – in fact I had waited until the warm light had kissed the shoreline hanging above the cove. Classic Acadia.
I choose a fairly long shutter to allow for a degree of texture being created within the foreground water, but I also waited for a breaking wave to help create some mid-ground interest. I hope that helps explain the thought process going on as I made this one… and like I said, it’s one of my all-time favorites… Monument Cove in Acadia National Park.
Here’s an image just for show. There’s no real story to this post other than I like it. It’s of Nubble Light – sometimes called Cape Neddick – a classic New England lighthouse located on the coast of southern Maine in York. I grabbed the opportunity to soak in the start of a new day, and as the sun slowly rose, I just loved the textures in the foreground rocks and the subtle gradient in the sky. The color version is nice, but I especially liked the mood generated by the silvery black and white rendition. Enjoy!