Here’s a little peek behind the scenes as it were. When I arrived at Bass Harbor Lighthouse about an hour before sunrise, I quickly realized that the light, though subtle and quite calming, wasn’t going to produce a lot of action in the sky, so I started to look for ways to make the scene before me more interesting. The little white structure perched high above the Atlantic Ocean is obviously the star of the show, and the jagged granite shoreline plays a solid complimentary role, but without a compelling backdrop, it would be hard to make an engaging composition. I needed to get closer to the water.
The recent sub-zero blast of Arctic air had left the rocks covered in ice, so I had to be somewhat careful as I navigated my surroundings. If you’ve ever visited this spot you’ll likely remember that although some care needs to be taken, it isn’t that difficult to get out onto the edge of the rocks. On this day however, all of those cracks and crevices were filled with either ice or snow, which made traversing the rocky landscape quite precarious. I knew if I could get myself and my camera out onto the rock to the left of the frame, I would be able to include the waves in a composition. In the photograph above, I’ve diagrammed where my camera was set up.
So, despite being a tad unsure of my footing, I used my tripod to provide stability and set out to get that little bit closer to what would hopefully be a dynamic foreground element. I splayed the tripod legs wide so I could get as low to the ground as possible, and when I turned the camera and wide-angle lens to portrait orientation, I was able to include a lot into one frame. I have to admit, laying down on the rocks with my back to the large ocean swells was just a tiny bit unnerving, but I should note, although it looks like I was balanced in a uncertain place, I wasn’t in any jeopardy. I would never put myself in a dangerous position just for a photograph.