At first glance, there wasn’t much color inside the dark cave, but as my eyes adjusted to the low light raking in from the right-hand side of the entrance, a range of earthy-toned blacks, browns and subtle greens could be seen on the algae-covered and very slippery rocks. And then there was the pink-colored bottom of one the tidal pools – that’s right, pink.
I tried hard to get an exposure that looked somewhat natural – several frames were bracketed and blended for this image – but no matter what I did, I couldn’t quite convey just how interesting I found the pink, sandy bottom of the tidal pool in the foreground to be. There wasn’t a lot of light in the cave, and in this type of situation the camera has a hard time capturing the range between the darkest and lightest parts of such a scene. In person, our eyes can adjust on the fly, allowing us to see the detail in the brighter clouds AND the wave-sculpted, jagged sides of the cave AND the darker underwater life in the tidal pools.
However, the mechanical nature of the camera means that it cannot make the gradual adjustments that our eyes can, and it can have difficulty creating an evenly balanced exposure of such a scene. In my next blog post, I will describe how I used several exposures to create one image that incorporates the range of light I witnessed, while at the same time hopefully maintaining a natural look.