Here’s a similar scene to one I posted recently, but this time I am including the “normal” version so that you can see what it looked like before the colors were drained out of it. As you can see, there wasn’t much color to begin with. The overcast sky and damp winter air were doing a very nice job of rendering the scene as almost monochromatic, so rather than fight it, a little voice in my head told me to embrace the conditions and see if I couldn’t come away with a pleasing photograph – one that meant something to me, and one that would ultimately end up as a black and white. Perhaps I shouldn’t show both the color and the black and white photograph side by side… perhaps I should claim to have exclusively envisioned how this would ultimately look without color… perhaps by showing both the color and non-color versions of this image I am “watering down” its impact… but for me, at this moment, and with this image, that’s a little too deep, so I’m comfortable displaying them both so that you can see the differences.
We do not naturally see in black and white, and while I absolutely love the classic work of famous past masters, photographing without color is not something that comes easily to me. I did my usual search for compositional lines, patterns, and shapes, and I tried to arrange the elements within the frame in relation to each other in a way that I thought looked somewhat interesting. I stepped back from the camera and breathed in the air… then I pressed the shutter. I’m no expert in converting photographs from color to black and white, and I’d be interested to hear your response to both of these images, and to the concept of removing color from photographs in general.